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blast-o-rama. Posts

’Twitter’s Chronological Timeline Is Back. Just Wait Until You See How Weird It Is’

Gizmodo:

Not everyone thinks about the algorithms that are driving their feeds all the time, but it’s constantly on my mind. So, it came as a shock that I’ve been trained to expect to see the most popular content all the time and have, in some form or another, come to crave it. So many of the problems facing social media companies are rooted in this dynamic. The algorithms are, above all, designed to serve up relevant ads to the user while rearranging the content that you came for with a secret digital sauce that’s designed to keep you as stimulated as possible and always coming back. Not only does this feed into the growing anxiety around psychological manipulation, but I have a strong belief that it contributes to what we post and how we post it.

Come on, Zuck. Do it. I dare you.

Finalists From The 2018 Comedy Wildlife Photography Awards

Colossal:

The Comedy Wildlife Photography Awards (previously) just closed submissions for their fourth annual competition which collects the most entertaining images from wildlife photographers across the globe. Last year the Overall Winner was an adorable owl caught as it nearly toppled off a branch, and the Under the Sea Winner featured a sassy sea turtle slap. This year submissions range from a disappointed rabbit, to a rhino sporting some uncharacteristic peacock plumage.

Highly recommended to click through to brighten your day.

NETFLIX to Revive AVATAR: THE LAST AIRBENDER as a Live-Action Series

IndieWire:

Netflix has announced it is reviving the popular Nickelodeon animated show “Avatar: The Last Airbender” as a live-action series. Original creators Michael DiMartino and Bryan Konietzko will serve as showrunners and executive producers of the live-action program, which is set to begin production in 2019.

Key quote from the PR which people should be excited about:

“We can’t wait to realize Aang’s world as cinematically as we always imagined it to be, and with a culturally appropriate, non-whitewashed cast,” DiMartino and Konietzko said in a statement. “It’s a once-in-a-lifetime chance to build upon everyone’s great work on the original animated series and go even deeper into the characters, story, action, and world-building. Netflix is wholly dedicated to manifesting our vision for this retelling, and we’re incredibly grateful to be partnering with them.”