David Pierce, The Verge:

A year ago, Google said that it believed AI was the future of search. That future is apparently here: Google is starting to roll out “AI Overviews,” previously known as the Search Generative Experience, or SGE, to users in the US and soon around the world. Pretty soon, billions of Google users will see an AI-generated summary at the top of many of their search results. And that’s only the beginning of how AI is changing search.

And from a few months back…

David Pierce, The Verge:

A few minutes ago, I opened the new Arc Search app and typed, “What happened in the Chiefs game?” That game, the AFC Championship, had just wrapped up. Normally, I’d Google it, click on a few links, and read about the game that way. But in Arc Search, I typed the query and tapped the “Browse for me” button instead.

Arc Search, the new iOS app from The Browser Company, which has been working on a browser called Arc for the last few years, went to work. It scoured the web — reading six pages, it told me, from Twitter to The Guardian to USA Today — and returned a bunch of information a few seconds later. I got the headline: Chiefs win. I got the final score, the key play, a “notable event” that also just said the Chiefs won, a note about Travis Kelce and Taylor Swift, a bunch of related links, and some more bullet points about the game.

I think I finally put a finger on what bothers me so much about the push for AI based searches.

It reduces the entire web to an answer. Yes, many times, we want to learn one detail, but by searching for it, we may learn additional data points, find the writing of a writer we admire, or end up down an entirely different rabbit hole, which leads to discoveries of its own.

Tools like Arc Search and where Google is heading (to where web searches are going to be a toggle) essentially boil down hundreds if not millions of results – and the effort behind those results – to a pithy blurb.

It’s very similar to how we’ve reduced movies and TV to content, and our attention spans from being able to watch full movies to barely making it through an entire TikTok.

Don’t get me wrong, I am a part of, responsible for, and facing those same struggles with my admiration of and attention to the work of others…but goddamnit, we’re more than a blurb. We’re more than an answer. We’re more than a tweet. We’re more than a Reel. More than a TikTok.

And its time we start showing the web that.

Luke Plunkett, Aftermath:

For those who know what this is, stop reading and enjoy! For those who don’t know what Famicase is, every year the indie Japanese games store Meteor holds an exhibition where artists from all over the world submit fake Famicom cartridges featuring game ideas that can be cool, interesting, funny, macabre, whatever! Maybe all of those things! Note that these games aren’t real, and you can’t play them; they’re just jokes/pitches/ideas.

There are actual cartridges hanging on the wall in the store if you’re lucky enough to be able to visit in person, but since most of us can’t, the best we can do is admire them from afar courtesy of Meteor’s online showcase. You can view them all there, and definitely should, but for now I’d also just like to highlight some of my favourites…

Truly, I always enjoy seeing these every year, and it’s because of Luke Plunkett that I’ve been reminded of them each time. Thanks for keeping the legacy alive, Luke!

How is there not a US version of this using NES cartridges?

Check out the full gallery here. I’ve attached my personal favorite: PermaChroma, by Joe Wright.

Chris Tapsel, Eurogamer:

If it weren’t for the people involved, in 2024, these closures would almost feel routine. This is far from the end of Xbox, of course - in Los Angeles next month, it’ll hold yet another make-or-break press conference, that maps out yet another plan for rescuing a lost generation. But be it through exasperation or exhaustion - or the wider industry’s sheer, pent-up rage - this feels like something of a nadir. Xbox has spun its wheels for more than a decade, lurching from U-turn to U-turn, strategic reboot to strategic reboot, acquisition to acquisition, closure to closure. The good times have always felt just over the horizon. Project Scorpio will set the tone; Game Pass is the future; the Series X will have the games; Starfield will jump-start Game Pass now it’s stalled. The growing sentiment today is that they’ll probably never come.

The immediate response is, justifiably, anger. Closing studios always feels villainous, but closing award-winning ones, ones with eminent talent, creativity and expertise, feels genuinely absurd - just as it did with Take-Two and the wonderful people of Roll7 and Kerbal Space Program developer Squad, only last week. But with Microsoft and Xbox, the problem feels part of something bigger. Trace a line through the modern history of Xbox - from the end of the 360 era, through the lost years of the Xbox One, to the present day - and a scarlet thread becomes clear. This is a platform holder that has lost its purpose and direction, that fundamentally - and perhaps inevitably, given the sheer vastness of its parent company - misunderstands why it exists.

The video games journalism world is whirlwind dunking on Microsoft in a way I’ve not seen since…last weekend, when Kendrick absolutely wiped the floor with Drake.

Brutal headline, too.

Alex Weprin, The Hollywood Reporter:

Warner Bros. has made it official: It will be returning to Middle Earth.

On Warner Bros. Discovery’s first-quarter earnings conference call on Thursday, CEO David Zaslav said that the company is “now in the early stages of script development” for new Lord of the Rings movies, which he says they “anticipate releasing in 2026” and will “explore storylines yet to be told.”

Zaslav says that director Peter Jackson and his longtime writing partners Fran Walsh and Philippa Boyens “will be involved every step of the way.”

Random news drop this morning, but its not one that should be super surprising, given that Zaslav has pushed so hard the use of WB’s existing franchises since he took over the head role there.

Thankfully, this doesn’t appear to be a remake of the trilogy, but something else in the Tolkien world. Knowing that Jackson and Boyens are involved is somewhat of a relief, but I don’t know what meat there is on the bone here.

For those who may be going, “2026? Without a script? That’s fast!” Sadly, this is the route of Hollywood now. Set the release date and work backwards. And it’s not like Peter Jackson is new to this, he infamously “winged it” during the production of the Hobbit trilogy.

Aside: Did you know there’s a CG Lord of the Rings movie that’s supposed to be hitting theaters this Holiday? Yeah. Really. For real.

EDIT: Update from Variety. Quoting a press release, the movie will be The Lord of the Rings: The Hunt for Gollum, and it will both star – and be directed by – Andy Serkis. Huh.

Grace Dean, Insider:

Many consumers are thinking carefully about how they spend every dollar, with some cutting back on visits to quick-service restaurants, as executives told investors on a series of earnings calls last week. To win penny-pinching customers back, some say they’re planning smaller price increases for the rest of the year.

Several fast-food chains described a gloomy outlook. The chief financial officer of Wendy’s, Gunther Plosch, told investors on Thursday that consumers were “still under pressure” — especially those with household incomes under $75,000. “They are reducing frequency, so visitation is down,” he said.

Chains raised prices drastically during the pandemic to offset rising labor and food costs, and it’s coming back to bite them. Some diners are cutting back, saying fast food is too expensive and no longer represents good value.

OK, so…the headline of this article is…

Fast-food chains are getting the message about soaring prices

And one of the first statements is…

To win penny-pinching customers back, some say they’re planning smaller price increases for the rest of the year.

So your plan to win back customers who dislike how high prices have become is to…

…continue to raise prices.

More slowly, but still. Raise.

Are we all that dumb? Number cannot forever go up. Number can drop. Number can stay maybe. But Number does not always go up.

Lower your prices, provide a better experience for employees and customers alike, and people will flock to your restaurants.

“Oh, our profits aren’t high enough!”, you’ll cry. But profits you’ll still have. And in this economy, that is your win.

James Gunn on Threads:

Get ready. Superman 7.11.25 @dcofficial … The above photo was taken on set by Jess Miglio and was entirely in-camera.

Here we go, folks. After what feels like ages of hype and excitement, the first fruit of James Gunn and Peter Safran’s DC Comics movie universe has been revealed, as we get a look at David Corenswet (The Politician) as Kal-El/Clark/Superman.

I’ve attached the image to this post, and I have to say: I really like the vibe here.

After what feels like ages of Hollywood looking at Superman and having only the creatively bankrupt idea of “What If Superman was…evil?!” as if it were a new, original thought, to see a more…mundane version of Superman is kind of wild.

You can practically hear the sigh, as he remembers that his job isn’t done, he’s gotta go back to work, pull on the boots, and face down evil and terror once again.

It’s humanizing, something that is so easily forgotten about who Superman is as a character.

Given that James Gunn made a world care about a talking raccoon and a tree, I feel like that his version of the Last Son of Krypton will speak to us all. Finally.

Superman hits theaters on July 11, 2025.